Current concerts
(Thu.) 22.05.2025, 08:00 p.m.
St. Nicolai-church Eckernfoerde
„Aechome“
The first concert after the 10th International Provinzlärm Festival delves into electro-acoustic worlds that are enriched and interwoven with instrumental sounds.
Program:
Clemens von Reusner
Ensemble Reflexion K and guests
11.05.2025, 09:05 - 11:00 p.m., DLF (Deutschlandfunk)
live recordings of the concerts of the 10. international Provinzlärm Festival 2025
Compositions from Idin Samimi Mofakham, Zaneta Rydzewska, Alisa Kobzar, Sofie Søs Meyer, Michele Abondano, Manuel Sanchez García, Martyna Kosecka, Niels Rønsholdt, Age Veeroos,
Ensemble Reflexion K
Direction: Gerald Eckert
21.02. - 23.02.2025
24.01.2025, 08.00 p.m.
St. Nicolai-church Eckernfoerde
"laissez vibrer"
With a refreshingly diverse range of facets, this first concert of the new year celebrates not only the 85th birthday of the important German composer Nicolaus A. Huber, but also the joy of sound and, in addition to string and woodwind instruments, also includes 18 tubular bells, various flower pots, singing bowls and more Toy piano to sound.
Program:
Gerald Eckert
Ensemble Reflexion K and guests
Beatrix Wagner, flute
since 05.09.2023 (still audible)
with the title Die Flötistin und der Komponist (The Flutist and the Composer), a portrait of Beatrix Wagner, Gerald Eckert and the concert series contemporary music Eckernfoerde.
09.03.2024, 10.05 - 10.50 p.m., DLF (Deutschlandfunk)
The broadcast Atelier neuer Musik
The Deutschlandfunk broadcast can still be listened for 30 days:
Atelier neuer Musik
Randzonen, Erstarrungen, Brüche - Gerald Eckerts neuere Ensemblemusiken
"späte Gegend" for orchestra
"Sopra di noi... (niente)" for orchestra
"Kisalpah" for ensemble and electronics
"ferne Tiefe" for contrabassflute, orchestra, live-electronics and tape
"Nacht, die fallende" for violoncello, orchestra and live-electronics
15.03.2024, 08:00 p.m.
St. Nicolai-church Eckernfoerde
„Über dunkle Energien und leere Räume“ ("About dark energies and empty rooms")
Dark energies are the starting point for the work cycle “energeia aphanés” by Michael Quell. In astrophysics, this mysterious phenomenon serves as a hypothetical attempt to explain the observed increasing speed of expansion of the universe, which otherwise stands in clear contradiction to the gravitational effects caused by matter. Its existence has not yet been proven, so it itself cannot be observed, but, like dark matter, it essentially determines the space-time structure of the universe.
In the works of the same name, this idea becomes a symbol of a musically aesthetic world whose actual control principles remain consistently hidden, but whose results determine the world of experience. Space, time and the idea of time dissolution play a central role.
Program:
Michael Quell
"Posht-e Hichestan" (2015) for flute solo
Ensemble Reflexion K and guests
Beatrix Wagner, flute
Joachim Striepens, clarinet
Neza Torkar, accordion
Sungkum-Jennie Yang - violin
Uschik Choi - violoncello
Gerald Eckert - violoncello/ direction
Tues. 30.07.2024, 08:00 p.m.
St. Nicolai-church Eckernfoerde
„Über das Rätselhafte II“ ("About the enigmatic II")
And again and again man, striving for knowledge and enlightenment and yet so destructive in his actions.
Program:
„Pulsar“ (2014) for organ and voice
Gerald Eckert
„Verschränkung – ins Offene“ (2023/ 24) for contrabassflute and electronics (german premiere)
Makiko Nishikaze
„a solitary flower comes out“ (1997) for altflute and violoncello
Gerald Eckert
“Interferenz I” (2004) version for flute, organ, violoncello and electronics
Pablo Araya
„37“ (2023) for bassflute and violoncello
Gerald Eckert
„Aube“ (2006) for organ
performer:
Katja Kanowski, organ
Beatrix Wagner, flute
27.09.2024, 08:00 p.m.
St. Nicolai-church Eckernfoerde
„Über zeitlose Augenblicke“ (About timeless moments)
Timeless moments - we can experience them in moments of greatest concentration or total relaxation, of incredible happiness or deep sadness, while experiencing great art or nature, with others or in absolute solitude.
The works selected for this program by Lisa Streich, Pablo Araya, Gerald Eckert, Pablo Olabarria, Stefan Streich and Iannis Xenakis oscillate between the greatest density in the smallest space and breathless delicacy and fragility, between liveliness and rigidity, between artistry and naturalness.
Program:
Lisa Streich
"Asche" for clarinet and violoncello
Stefan Streich
"ritorno" for flute and viola
Gerald Eckert
"Nachtwindbewegtes" for bassflute, contrabassclarinet and viola
"Entre Palmira y Tikal hay una bóveda de mosaicos […]" for bassflute, violin and violoncello
Gerald Eckert
"Klangräume II" for piccolo and tape
Pablo Andoni Olabarría
"Naturlaut" for Violin and electronics
Iannis Xenakis
"Charisma" for clarinet and violoncello
Ensemble Reflexion K
Beatrix Wagner, flute
02.11.2024, 06:00 p.m.
St. Nicolai-church Eckernfoerde
Night of literature
„Atemwende“
In the spaces between tracing sounds and words, this event leads from the spatial-poetic side of contemporary music (Luigi Nono, Gerald Eckert) to the linguistic power of the poems by Hilde Domin, Paul Celan and Else Lasker-Schüler.
Program:
Gerald Eckert
In Sich Ohne Ausweg (1994)
for 2-(4)-channel-tape
Gerald Eckert
Noema (1992)
for violoncello
Gerald Eckert
Schemen - Feld 30 (2017)
for contrabassclarinet and electronics
Luigi Nono
A Pierre. Dell azzurro silenzio, inquietum (1985)
for contrabassflute, contrabassclarinet and live-electronics
Gerald Eckert
Aux mains de l’espace (1993)
for 4-channel-tape
Gerald Eckert
außen, von tief innen (2015)
for bassflute, contrabassclarinet and violoncello
Ensemble Reflexion K
Beatrix Wagner, flute
08.11.2024, 08:00 p.m.
St. Nicolai-church Eckernfoerde
Elnaz Seyedi "Questo che a notte balugina" (2023)
for large ensemble (fl, 2 clar, 2 perc, Hrp, acc, pf, vln, vla, vc, cb)
Liisa Hirsch "Autarkes" (2020)
for large ensemble (2 clar, bsn, perc, pf, vla, 2 vc, cb)
Stefan Streich "Trichter, Klee und Amsel" (2024) UA
for orchestra (1 bassfl/ flute, 2 clar (1: clar/ cb-clar; 2: clar/ bass-clar), 1 contrabassoon, 1 hrn, 1 trp, 2 trb (1: bass-trb; 2: bass-trb or cb-trb), acc, pf, 2 perc, 1 vln, 2 vla, 5 vc, 1 cb)
Gerald Eckert "Sopra di noi... (niente)" (2014)
for orchestra (1 bassfl/ flute, 2 clar (1: clar/ cb-clar; 2: cb-clar), 1 contrabassoon, 1 hrn, 1 trp, 2 trb (1: bass-trb;
2: bass-trb or cb-trb), acc, pf, 2 perc, 1 vln, 2 vla, 5 vc, 1 cb)
Beatrix Wagner, flute
Joachim Striepens, clarinet & double bass clarinet
Matthias Badczong, clarinet & double bass clarinet
Ari Schuirmann, bassoon & contrabassoon
Delphine Gauthier-Guiche, horn
Norbert Fabritius, trumpet
Matthias Jann, trombone
Karsten Süßmilch, trombone
Andre Wittmann, percussion
Arian Robinson, percussion
Lara Meyer-Struthoff, harp
Christine Paté, accordion
Daria-Karmina Iossifova-Molier, piano
Rui C. Antunes, violin
Christiane Veltman, viola
Nikolaus Schlierf, viola
Christine Meißner, violoncello
Anne Gayed, violoncello
Ulrike Brand, violoncello
Clara Franz, violoncello
Katrin Maschmann, violoncello
Heiko Maschmann, double bass
Gerald Eckert, direction
Kunstquartier Bethanien
23.11.2024, 06:00 p.m.
Artists Residence Eckernfoerde, Ottestr. 1
Night of Music
Starting with the music of this year's otte 1 composition scholarship holder Hed Bahack, the Ensemble Reflexion K spins a web of connecting lines to works by Mark Barden, Alessio Rosato, Pablo Araya and others.
Mark Baden "personæ" (2009)
for bassflute and bassclarinet
Gerald Eckert "Verschränkung - ins Offene" (2023/ 24)
for contrabassflute, electronics and tape
Hed Bahack "Studies in walking away from…" (2021/ 2024) fp
version for bassclarinet
Alessio Rossato "si páame" (2024)
for contrabassflute and electronics
Gerald Eckert "Nen VII" (2007)
for flute, violoncello and tape
Clemens von Reusner "Anamorphosis" (2018)
for 8-channel-tape
Pablo Araya "37" (2023)
for bassflute and violoncello
Ensemble Reflexion K
Beatrix Wagner, flute
Joachim Striepens, clarinet
Gerald Eckert, violoncello/ electronics